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U.S. can hold AI talks with China because ‘we are in the lead,’ Bessent tells CNBC as nations plan safety protocol
Economy

U.S. can hold AI talks with China because ‘we are in the lead,’ Bessent tells CNBC as nations plan safety protocol

by admin May 14, 2026
written by admin

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The U.S. can talk to China about AI because “we are in the lead,” U.S. Treasury Secretary Scott Bessent told CNBC, as the countries unveiled a protocol on best practices for the rapidly improving technology.

“The two AI superpowers are gonna start talking. We’re gonna set up a protocol in terms of how do we go forward with best practices for AI to make sure non-state actors don’t get a hold of these models,” Bessent told Joe Kernen on Thursday, on the sidelines of President Donald Trump‘s two-day meeting in Beijing with Chinese President Xi Jinping.

“The reason we are able to have wholesome discussions with the Chinese on AI is because we are in the lead,” he added. “I do not think we would be having the same discussions if they were this far ahead of us,” he said.

U.S.-based Anthropic has alarmed many in Washington and other countries with the Mythos AI model, which is supposed to have powerful cyberattack capabilities. The company said it would initially release it to select business partners.

BEIJING, CHINA – MAY 14: China’s President Xi Jinping (R) and US President Donald Trump pose for a photo at the Temple of Heaven in Beijing on May 14, 2026. Xi warned Trump that the issue of Taiwan could push their two countries into “conflict” if mishandled, a stark opening salvo as a superpower summit set to tackle numerous thorny issues began in Beijing on May 14. (Photo by Brendan Smialowski – Pool/Getty Images)
China Pool | Getty Images News | Getty Images

Bessent told CNBC he anticipates a big “step-function jump” in upcoming large language model releases from Google‘s Gemini and OpenAI.

Washington has also sought to limit China’s AI development by restricting sales of advanced semiconductors, primarily from Nvidia, to the country. The chipmaker’s CEO, Jensen Huang, joined Trump’s delegation to China as a late addition.

When asked about a Reuters report that Washington had cleared sales of Nvidia’s H200 AI chips to several major Chinese technology firms, Bessent said there had been “a lot of back and forth” on the matter.

Trump and Xi wrapped up their first major meeting of this week’s China trip at 12 p.m. local time Thursday. Beijing’s readout said the Chinese leader emphasized that Taiwan is the most important issue for bilateral relations, and warned against mishandling the issue.

Beijing claims that Taiwan, a democratically self-ruled island, is part of its territory.

Bessent also told CNBC that Trump would say more on the issue of Taiwan “in the coming days.”

“Trump … understands the sensitivities around all this, and anyone who’s been saying other otherwise does not understand the negotiating style of Donald Trump,” he added.

Bessent’s week in Asia

Trump’s trip to China this week is the first time a sitting U.S. president has visited the country since 2017, when Trump visited during his first term. The summit kicked off Thursday morning and is due to wrap up Friday.

Ahead of the Trump-Xi meeting, Bessent met with Chinese Vice Premier He Lifeng in South Korea on Wednesday.

China’s Commerce Ministry described the preliminary talks as an effort to resolve trade issues and “further expand pragmatic cooperation,” according to a CNBC translation of the Chinese.

In a brief post on X Thursday morning, Bessent shares a picture of himself with He Lifeng, saying they had discussed “the economic and trade relationship between our nations.”

Read more Trump-Xi meeting coverage

  • Five things to watch in Asia as Trump prepares to meet China’s Xi this week
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  • Trump is going to China hoping to talk trade. Iran may steal the show
  • Trump puts Taiwan arms sales, Hong Kong jailed activist Lai on agenda ahead of meeting with Xi
  • From Singapore to Brussels, world leaders eye Trump-Xi summit from afar
  • Jensen Huang joins Trump’s China trip after the U.S. president called the Nvidia CEO
  • Trump in China: Traders predict a tariff truce extension and Boeing aircraft purchases

The Treasury Department did not immediately respond to a request for comment on the Seoul meeting.

Bessent also visited Tokyo before joining Trump’s Beijing trip. The Treasury Secretary said in separate X posts that he discussed critical minerals and investment agreements with South Korean President Lee Jae Myung and Japanese Prime Minister Sanae Takaichi.

Choose CNBC as your preferred source on Google and never miss a moment from the most trusted name in business news.

May 14, 2026 0 comments
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Android’s latest AI feature predicts what you’ll do next
Tech/AI

Android’s latest AI feature predicts what you’ll do next

by admin May 14, 2026
written by admin

‘Contextual suggestions’ will recommend actions based on your daily habits.

‘Contextual suggestions’ will recommend actions based on your daily habits.

May 14, 2026, 10:37 AM UTC
Google Pixel 10 Lineup
Google Pixel 10 Lineup
Jess Weatherbed
Jess Weatherbed is a news writer focused on creative industries, computing, and internet culture. Jess started her career at TechRadar, covering news and hardware reviews.

Google is rolling out a new AI-powered “contextual suggestions” feature to Android users that recommends actions based on your daily habits, Android Authority reports. The feature is designed to predict your next action based on your location and habits — such as allowing music streaming apps to suggest your usual playlist when you arrive at the gym for your regular workout.

Contextual suggestions were previously available in the Play Services beta, but now Google seems to have expanded it to the stable channel. While Google hasn’t announced that the feature has officially launched, some reporters at Android Authority and 9to5Google are seeing that it’s available on Pixel 10 series devices running Android 16 and appears to be enabled by default.

We don’t know what the notifications themselves will look like. Screenshots of the settings interface shared by the publications show that users can manage what data is accessed by the feature, such as disabling its ability to use your device location. The privacy section of the contextual suggestions settings says that the feature works “in an encrypted space on your device,” and that your data isn’t shared with Google, apps, or third-party services.

“In this space, AI learns from the data and makes predictions about what might be helpful to you,” Google says in the feature description. “For example, if you often cast sports games to your living room TV on Saturdays, your device can suggest casting at the right time.”

As Android Authority notes, the feature shares some similarities with the Magic Cue feature that launched with Google’s Pixel 10 series, which proactively suggests contextual information such as addresses and contact information that you might want to paste into apps and conversations. Google hasn’t mentioned if contextual suggestions will be more broadly available on non-Pixel Android phones, but a support page says the feature requires Android 14 or up to support audio and video casting.

We have reached out to Google to clarify the launch timeline and regional/device support. For now, you can check if contextual suggestions are available on your own Android phone by heading to Settings > Google Services > All services > Other.

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May 14, 2026 0 comments
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The shock of seeing your body used in deepfake porn 
Tech/AI

The shock of seeing your body used in deepfake porn 

by admin May 14, 2026
written by admin

When Jennifer got a job doing research for a nonprofit in 2023, she ran her new professional headshot through a facial recognition program. She wanted to see if the tech would pull up the porn videos she’d made more than 10 years before, when she was in her early 20s. It did in fact return some of that content, and also something alarming that she’d never seen before: one of her old videos, but with someone else’s face on her body.

“At first, I thought it was just a different person,” says Jennifer, who is being identified by a pseudonym to protect her privacy. 

But then she recognized a distinctly garish background from a video she’d shot around 2013, and she realized: “Somebody used me in a deepfake.”

Eerily, the facial recognition tech had identified her because the image still contained some of Jennifer’s features—her cheekbones, her brow, the shape of her chin. “It’s like I’m wearing somebody else’s face like a mask,” she says. 

“It’s like I’m wearing somebody else’s face like a mask.”

Conversations about sexualized deepfakes—which fall under the umbrella of nonconsensual intimate imagery, or NCII—most often center on the people whose faces are featured doing something they didn’t really do or on bodies that aren’t really theirs. These are often popular celebrities, though over the past few years more people (mostly women and sometimes youths) have been targeted, sparking alarm, fear, and even legislation. But these discussions and societal responses usually are not concerned with the bodies the faces are attached to in these images and videos.

As Jennifer, now 37 and a psychotherapist working in New York City, says: “There’s never any discussion about Whose body is this?” 

For years, the answer has generally been adult content creators. Deepfakes in fact earned their name back in November 2017, when someone with the Reddit username “deepfakes” uploaded videos showing faces of stars like Scarlett Johansson and Gal Gadot pasted onto porn actors’ bodies. The nonconsensual use of their bodies “happens all the time” in deepfakes, says Corey Silverstein, an attorney specializing in the adult industry. 

But more recently, as generative AI has improved, and as “nudify” apps have begun to proliferate, the issue has grown far more complicated—and, arguably, more dangerous for creators’ futures. 

Porn actors’ bodies aren’t necessarily being taken directly from sexual images and videos anymore, or at least not in an identifiable way. Instead, they are inevitably being used as training data to inform how new AI-generated bodies look, move, and perform. This threatens the livelihood and rights of porn actors as their work is used to train AI nudes that in turn could take away their business. And that’s not all: Advancements in AI have also made it possible for people to wholly re-create these performers’ likenesses without their consent, and the AI copycats may do things the performers wouldn’t do in real life. This could mean their digital doubles are participating in certain sex acts that they haven’t agreed to do, or even that they’re perpetrating scams against fans. 

Adult content creators are already marginalized by a society that largely fails to protect their safety and rights, and these developments put them in an even more vulnerable position. After Jennifer found the deepfake featuring her body, she posted on social media about the psychological effects: “I’ve never seen anyone ask whether that might be traumatic for the person whose body was used without consent too. IT IS!” Several other creators I spoke with shared the mental toll that comes with knowing their bodies have been used nonconsensually, as well as the fear that they’ll suffer financially as other people pirate their work. Silverstein says he hears from adult actors every day who “are concerned that their content is being exploited via AI, and they’re trying to figure out how to protect it.” 

One law professor and expert in violence against women calls these creators the “forgotten victims” of NCII deepfakes. And several of the people I spoke with worry that as the US develops a legal framework to combat nonconsensual sexual content online, adult actors are only at risk of further injury; instead of helping them, the crackdown on deepfakes may provide a loophole through which their content and careers could be stripped from the internet altogether.

How deepfakes cause “embodied harms”

During his preteen years in the 1970s, Spike Irons, now a porn actor and president of the adult content platform XChatFans, was “in love” with Farrah Fawcett. Though Fawcett did not pose nude, Jones managed to get his hands on what looked like pictures of her naked. “People were cutting out faces and pasting them on bodies,” Irons says. “Deepfakes, before AI, had been going around for quite a while. They just weren’t as prolific.”

The early public internet was rife with websites capitalizing on the idea that you could use technology to “see” celebrities naked. “People would just use Microsoft Paint,” says Silverstein, the attorney. It was a simple way to mash up celebrities’ faces with porn. 

People later used software like Adobe After Effects or FakeApp, which was designed to swap two individuals’ faces in images or videos. None of these programs required serious expertise to alter content, so there was a low barrier to entry. That, plus the wealth of porn performers’ videos online, helped make face-swap deepfakes that used real bodies prevalent by the 2010s. When, later in the decade, deepfakes of Gal Gadot and Emma Watson caused something of a broader panic, their faces were allegedly swapped onto the bodies of the porn actors Pepper XO and Mary Moody, respectively.

But it wasn’t just high-profile actors like them whose bodies were being used. Jennifer was “a very minor performer,” she says. “If it happened to me, I feel like it could happen to anybody who’s shot porn.” Since he started his practice in 2006, Silverstein says, “numerous clients” have reached out to report “This is my body on so-and-so.” 

Both people whose faces appear in NCII deepfakes and those whose bodies are used this way can feel serious distress. Experts call this type of damage “embodied harms,” says Anne Craanen, who researches gender-based violence at the UK’s Institute for Strategic Dialogue, an organization that analyzes extremist content, disinformation, and online threats. 

The term reflects the fact that even though the content exists in the virtual realm, it can cause physiological effects, including body dysmorphia. The face-swapped entity occupies the uncanny valley, distorting self-perception. After discovering their faces in sexual deepfakes, many people feel silenced, experts told me; they may “self-censor,” as Craanen puts it, and step back from public-facing life. Allison Mahoney, an attorney who works with abuse survivors, says that people whose faces appear in NCII can experience depression, anxiety, and suicidal ideation: “I’ve had multiple clients tell me that they don’t sleep at night, that they’re losing their hair.” 

Independent creators aren’t just “having sex on camera.” For someone to rip off their work “for their own entertainment or financial gain fucking sucks.”

Though the impact on people whose bodies are used hasn’t been discussed or studied as often, Jennifer says that “it’s just a really terrible feeling, knowing that you are part of somebody else’s abuse.” She sees it as akin to “a new form of sexual violence.”

The uncertainty that comes with not being aware of what your body is doing online can be highly unsettling. Like Jennifer, many adult actors don’t really know what’s out there. But some devoted followers know the actors’ bodies well—often recognizing tattoos, scars, or birthmarks—and “very quickly they bring [deepfakes] to the adult performer’s attention,” says Silverstein. Or performers will stumble upon the content by chance; some 20 years ago, for instance, the first such client to tell Silverstein her body was being used in a deepfake happened to be searching Nicole Kidman online when she found that one of the results showed Kidman’s face on her porn. “She was devastated, obviously, because they took her body,” he says, “and they were monetizing it.” 

Otherwise, this imagery may be found by an organization like Takedown Piracy, one of several copyright enforcement companies serving adult content creators. US copyright violations can be challenging to prove if someone’s body lacks distinguishing features, says Reba Rocket, Takedown Piracy’s chief operating and marketing officer. But Rocket says her team has added digital fingerprinting technology to clients’ material to help flag and remove problematic videos, often finding them before clients realize they’re online. 

By capturing “tens of thousands of tiny little visual data points” from videos, digital fingerprinting creates unique corresponding files that can be used to identify them, Rocket says—kind of like an invisible watermark. The prints remain even if pirates alter the videos or replace performers’ faces. Takedown Piracy has digitally fingerprinted more than half a billion videos and the organization has gotten 130 million copyrighted videos taken down from Google alone (though, of those videos, Rocket hasn’t tracked how many of these specifically include someone else’s face on a performer’s body). 

Besides copyright, a range of legal tools can be used to try and combat NCII, says Eric Goldman, a law professor at Santa Clara University. For example, victims can claim invasion of privacy. But using these tools isn’t particularly straightforward, and they may not even apply when it comes to someone’s body. If there aren’t, for instance, unique markers indicating that a body in a deepfake belongs to the person who says it does, US law “doesn’t really treat [this content] as invasion of privacy,” Goldman says, “because we don’t know who to attribute it to.”

In a 2018 study that reviewed “judicial resolution” of cases involving NCII, Goldman found that one successful way plaintiffs were able to win cases was to assert “intentional affliction of emotional distress.” But again, that hinges on the ability to clearly identify the person in the content. Relevant statutes, he adds, might also require “intent to harm the individual,” which may be hard to show for people whose bodies alone are featured.

“AI girls will do whatever you want”

In the last few years, Silverstein says, it’s become less and less common to see the bodies of real adult content creators in deepfakes, at least in a way that makes them clearly identifiable. 

Sometimes the bodies have been manipulated using AI or simpler editing tools. This can be as basic as erasing a birthmark or changing the size of a body part—minor edits that make it impossible to identify someone’s image beyond a reasonable doubt, so even porn actors who can tell that an altered image used their body as a base won’t get very far in the legal realm. “A lot of people are like, That looks like my body,” says Silverstein, but when he asks them how, they’ll reply, It just does. 

At the same time, other users are now creating NCII with wholly AI-generated bodies. In “nudify” apps, anyone with a minimal grasp of technology can upload a photo of someone’s clothed body and have it replaced with a fake naked one. “So [much] of this content being created is just someone’s face on an AI body,” Silverstein says.

Such apps have drawn a ton of attention recently, from Grok “nudifying” minors to Meta running ads for—and then suing—the nudify app Crushmate. But there’s been relatively little attention paid to the content being used to train them. They almost certainly draw on the more than 10,000 terabytes of online porn, and performers have virtually zero recourse. 

One reason is that creators aren’t able to demonstrate with any certainty that their content is being used to train AI models like those used by nudify apps. “These things are all a black box,” says Hany Farid, a professor at the University of California, Berkeley, who specializes in digital forensics. But “given the ubiquity” of adult content, he adds, it’s a “reasonable assumption” that online porn is being used in AI training. 

“It’s just not at all difficult to come up with pornographic data sets on the internet,” says Stephen Casper, a computer science PhD student at MIT who researches deepfakes. What’s more, he says, plenty of shadowy online communities provide “user guides” on how to use this data to train AI, and in particular programs that generate nudes. 

It’s not certain whether this activity falls within the US legal definition of “fair use”—an issue that’s currently being litigated in several lawsuits from other types of content creators—but Casper argues that even if it does, it’s ethically murky for porn created by consenting adults 10 years ago to wind up in those training data sets. When people “have their stuff used in a way that doesn’t respect or reflect reasonable expectations that they had at that time about what they were creating and how it would be used,” he says, there’s “a legitimate sense in which it’s kind of … nonconsensual.” 

Adult performers who started working years ago couldn’t possibly have consented to AI anything; Jennifer calls AI-related risks “retroactively placed.” Contracts that porn actors signed before AI, adds Silverstein, might provide that “the publisher could do anything with the content using technology that now exists or here and after will be discovered.” That felt more innocuous when producers were talking about the shift from VHS to DVD, because that didn’t change the content itself, just the way it was conveyed. It’s a far different prospect for someone to use your content to train a program to create new content … content that could replace your work altogether. 

Of course, this all affects creators’ bottom line—not unlike the way Google’s AI overviews affect revenue for online publishers who’ve stopped getting clicks when people are content with just reading AI-generated summaries. Performers’ “concern is … it’s another way to pirate [their] content,” says Rocket. 

After all, independent creators aren’t just “having sex on camera,” as the adult content creator Allie Eve Knox says. They’re paying for filming equipment and location rentals, and then spending hours editing and marketing. For someone to then rip off and distort that content “for their own entertainment or financial gain,” she says, “fucking sucks.” 

KIM HOECKELE

Tanya Tate, a longtime adult content creator, tells me about another highly unsettling AI-created situation: She was recently chatting with a fan on Mynx, a sexting app, when he asked her if she knew him. She told him no, and “his eyes just started watering,” Tate says. He was upset because he thought she did know him. Turns out he’d sent $20,000 to a scammer who’d used an AI-generated deepfake of Tate to seduce him. 

Several men, Tate subsequently learned, had been scammed by an AI version of her, and some of them began blaming her for their losses and posting false statements about her online. When she reported one particularly aggressive harasser to the police, they told her he was exercising his “freedom of speech,” she says. Rocket, too, is familiar with situations where AI is used to take advantage of fans. “The actual content creator will get nasty emails from these people who’ve been scammed,” she says.

Other porn actors say they fear that their likenesses have been used without consent to do other things they wouldn’t do. One, Octavia Red, tells me she doesn’t do anal scenes, “but I’m sure there’s tons of deepfake anal videos of me that I didn’t consent to.” That could cost her, she fears, if viewers choose to watch those videos instead of subscribing to her websites. And it could cause fans to develop false expectations about what kind of porn she’ll create.

“I saw one AI creator saying, ‘Well, AI girls will do whatever you want. They don’t say no,’” says Rocket. “That horrifies me … especially if they’re training those AI models on real people. I don’t think they understand the damage to mental health or reputation that that can create. And once it’s on the internet, it’s there forever.” 

Efforts to “scrub adult content from the internet”

As AI technology improves, it’s increasingly difficult for people to discern any type of real video from the best AI-generated ones on their own. In one 2025 study, UC Berkeley’s Farid found that participants correctly identified AI-generated voices about 60% of the time (not much better than random chance), while advances like false heartbeats make AI-generated humans tougher than ever to spot.

Nevertheless, most lawyers and legal experts I spoke with said copyright laws are still adult performers’ best bet in the US legal system, at least for getting their face-swapped content taken down. For his clients, Silverstein says, he tries to figure out the content’s origins and then issue takedown requests under the Digital Millennium Copyright Act, a 1998 law that adapted copyright law for the internet era. “Even recently, I had a performer who has an insanely well-known tattoo,” he says, and with a DMCA subpoena he managed to identify the poster of the content, who voluntarily removed it. 

But this way of working is becoming increasingly rare.

These days it’s nearly “impossible,” Silverstein says, to determine who produced a deepfake, because many platforms that host pirated content operate facelessly. They’re also often based in places that “don’t really care about US law when it comes to copyrights,” says Rocket—places like Russia, the Seychelles, and the Netherlands. 

While governments in the EU, the UK, and Australia have said they will ban or restrict access to nudify apps, it’s not an easily executed proposition. As Craanen notes, when app stores remove these services, they often simply reappear under different names, providing the same services. And social platforms where people share NCII deepfakes, argues Rocket, are slacking in getting them removed. “It’s endless, and it’s ridiculous, because places like Twitter and Facebook have the same technology we do,” Rocket says. “They can identify something as an infringement instantly, but they choose not to.”

(Apple spokesperson Adam Dema emailed, “’nudification’ apps are against our guidelines” in the app store, and it has “proactively rejected many of these apps and removed many others,” flagging a reporting portal for users. A Google spokesperson emailed, “Google Play does not allow apps that contain sexual content,” noting it takes “proactive steps to detect and remove apps with harmful content” and has suspended hundreds of apps for violating its policy. Meta spokesperson shared a blog post about actions it’s taken against nudify apps, but did not respond to follow-up questions about copyrighted material. X did not respond to a request for comment.)

As porn performers are forced to navigate AI-related threats, the only current federal law to address deepfakes may not help them much—and could even make matters worse. The Take It Down Act, which became US law last year, criminalizes publishing NCII and requires websites to remove it within 48 hours. But, as Farid notes, people could weaponize the measure by reporting porn that was made legally and with consent and claiming that it’s NCII. This could result in the content’s removal, which would hurt the performers who made it. Santa Clara’s Goldman points to Project 2025, the Heritage Foundation’s policy blueprint for the second Trump administration, which aims to wipe porn from the web. The Take It Down Act, he argues, “allows for the coordinated effort to scrub adult content from the internet.” 

US lawmakers have a history of hurting sex workers in their attempts to regulate explicit content online. State-level age verification laws are an example; visitors can pretty easily get around these measures, but they can still result in reduced revenue for adult performers (because of lower traffic to those sites and the high price of age-checking services they have to purchase). 

“They’re always doing something to fuck with the porn industry, but not in a way that actually helps sex workers,” says Jennifer. “If they do something, they’re taking away your income again—as opposed to something like giving you more rights to your image, [which] would be tremendously helpful.” 

But as generative AI plays an increasingly large role in NCII deepfakes, the types of images to which adult performers have rights moves deeper into a gray area. Can actors lay claim to AI images likely trained on their bodies? How about AI-generated videos that impersonate them, like the one that tricked Tanya Tate’s fan?

The biggest challenge will be creating “legitimate, effective laws that will absolutely protect content creators from abusing their likeness to train and create AI,” Rocket says. “Absent that, we’re just going to have to keep pulling content down from the internet that’s fake.”

In the meantime, a few porn actors tell me, they’re trying to take advantage of copyright laws that weren’t really made for them; they’ve signed with platforms that host their AI-generated duplicates, with whom fans pay to chat, in part so they’ll have contracts that protect ownership of their AI likenesses. When I spoke with the actor Kiki Daire in September 2025 for a story on adult creators’ “AI twins,” she said she “own[ed] her AI” because she’d signed a contract with Spicey AI, a site that hosted AI duplicates of adult performers. If another company or person created her AI-generated likeness, she added, “I have a leg to stand on, as far as being able to shut that down.”  

Even this, though, is not a sure thing; Spicey AI, for instance, shut down several months after I spoke with Daire, so it’s unlikely that her contract would hold. And when I spoke in October with Rachael Cavalli, another adult actor who had signed with an AI duplicate site in hopes it’d help protect her AI image, she admitted, “I don’t have time to sit around and look for companies that have used my image or turned something into a video that I didn’t actually do … it’s a lot of work.” In other words, having rights to your AI image on paper doesn’t make it easier to track down all the potentially infinite breaches of those rights online.

If she’d known what she knows about technology today, Jennifer says she doesn’t think she would have done porn. The risks have increased too much, and too unpredictably. She now does in-person sex work; it’s “not necessarily safer,” she says, “but it’s a different risk profile that I feel more equipped to manage.” 

Plus, she figures AI is unlikely to replace in-person sex workers the way it could porn actors: “I don’t think there’s going to be stripper robots.” 

Jessica Klein is a Philadelphia-based freelance journalist covering intimate partner violence, cryptocurrency, and other topics.

May 14, 2026 0 comments
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Court overturns Alex Murdaugh's murder convictions and orders new trial
Global

Court overturns Alex Murdaugh’s murder convictions and orders new trial

by admin May 13, 2026
written by admin

“Both the State and Murdaugh’s defense skillfully presented their cases to the jury as the trial court deftly presided over this complicated and high-profile matter,” the justices wrote. “However, their efforts were in vain because Colleton County Clerk of Court Rebecca Hill placed her fingers on the scales of justice, thereby denying Murdaugh his right to a fair trial by an impartial jury.”

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Solar drone with jumbo jet wingspan broke a flight record—then it crashed
Tech/AI

Solar drone with jumbo jet wingspan broke a flight record—then it crashed

by admin May 13, 2026
written by admin

The Skydweller drone was last visible on the flight-tracking service Flight Radar 24 north of Cancun, Mexico, in the early morning hours of May 4. The company described the drone as eventually performing a “controlled water ditching” around 6:30 am Eastern Time, but the aircraft “subsequently sank due to its non-buoyant composite structure.”

By the time it went under, the Skydweller drone had performed a record-breaking, solar-powered flight of eight days and 14 minutes—longer than any previous flights as either a drone or crewed aircraft. The company Skydweller Aero commemorated it as an “operational prototype” that had “validated the practical military utility of a persistent, medium-altitude solar aircraft” despite the loss at sea.

Skydweller drone flights in July 2025.

The aircraft’s earlier accomplishments will almost certainly endure in the public imagination. Solar Impulse 2 became the first solar-powered aircraft to circle the globe after completing a series of flights between 2015 and 2016. Along the way, it set a world record for the longest flight in a solar-powered plane when André Borschberg piloted the aircraft for 117 hours and 52 minutes—almost five days—during a 5,545-mile (8,924-kilometer) journey between Nagoya, Japan, and Hawaii.

Now, the crash of the Skydweller drone means that the Swiss Museum of Transport in Lucerne won’t get to display the historic aircraft per an original agreement with Skydweller Aero, according to SWI Swissinfo. That represents a blow for aviation enthusiasts unless future salvage operations can be carried out.

The pioneering design may nonetheless inspire future solar-powered aircraft for either civilian or military use. Skydweller Aero told Ars that it has no other prototypes immediately ready to replace the lost drone—but the company’s blog post described “planned upgrades using existing technology” that could enable future solar-powered drones to better withstand extreme weather conditions. Meanwhile, the Pentagon has proposed investing at least $54 billion into drone warfare systems.

May 13, 2026 0 comments
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Where to Stay in Atlanta If You Like to Eat
Lifestyle

Where to Stay in Atlanta If You Like to Eat

by admin May 13, 2026
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Atlanta’s vibrant food scene offers diners so much more than comfort food classics (although top-notch versions of chicken, biscuits, and all the fixings can be found here, certainly), and leaving the city without tucking into an unforgettable meal should be criminal. But the trick is knowing where to go.

To make your stay in The A culinarily memorable, you need not only an up-to-date list of the city’s epicurean hotspots, but you also need to choose a home base that makes it easy to get to where you want to go. Choose your hotel poorly, and you might miss where fine dining finds industrial restoration in West Midtown, the continuous creative renewal in buildings and on menus in Old Fourth Ward, or the spirit and soulful flavors of Atlanta’s southside. That won’t be an issue with what’s below.

Old Fourth Ward

The walkable Old Fourth Ward neighborhood (O4W for short, which is located north of downtown Atlanta and southeast of Midtown) is home to many of the city’s top food spots. Find a morning pick-me-up from Chrome Yellow Trading Co., sweet treat from Little Tart bakery, or a decadent sandwich from Kinship Butcher & Sundry, where you can choose if you want your breakfast sausage sandwich served “double double,” or opt for a lunchier option like griddled pork belly with “drunken” mustard on brioche. Eastbound to downtown Decatur, Michelin-recommended and James-Beard-Foundation-recognized restaurants like Kimball House, home to some of metro Atlanta’s best oysters and craft cocktails, and The Deer & The Dove, where farm-to-table is performed with a fierce focus on flavor, are admired far beyond their suburban city’s limits.

O4W is also near historic Inman Park, where you can find exceptional pasta at BoccaLupo, steaks at Kevin Rathbun Steak, or dinner with premium cocktails at Ticonderoga Club at Krog Street Market.

Forth

Image may contain Indoors Interior Design Bed Furniture Lamp Home Decor Cushion and Pillow

Courtesy of Forth.

Forth bills itself as part hotel, part local hangout and membership club, and its range of amenities and convenient location makes it a smart choice for your home base. It’s just off the Atlanta Beltline’s Eastside Trail and a five-minute walk to Ponce City Market, a food hall with stalls from a who’s-who of Atlanta’s culinary talent. (Don’t miss Botiwalla, where chef Meherwan Irani of the award-winning restaurant Chai Pani is slinging dishes inspired by Indian street food.)

Rooms at Forth mix mid-century style and modern function, you’ll find both heavy black telephones inspired by the old-school rotary dials and Bluetooth-enabled radio speakers in groovy wooden and brushed copper casing. The decor is otherwise understated, featuring metallics and earthtones, which allows the views they afford of the surrounding buildings and Beltline activity below to stay the star.

May 13, 2026 0 comments
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The Apple Studio Display could have been so much more
Tech/AI

The Apple Studio Display could have been so much more

by admin May 13, 2026
written by admin

The Studio Display is barely changed from 2022, but now it has competition.

May 13, 2026, 11:00 AM UTC
268466_5K_monitor_v_Apple_display_JHiggins_0008
268466_5K_monitor_v_Apple_display_JHiggins_0008
John Higgins
John Higgins is a senior reviewer covering TVs and audio. He has over 20 years experience in AV, and has previously been on staff at Digital Trends and Reviewed.

For the better part of 12 years, Apple owned the 5K monitor world — primarily because it made basically the only options. LG’s 5K UltraFine was a solid, if bland choice, but many people bought a 27-inch iMac from 2014 for its 5K screen alone. Then in 2022, Apple finally gave the people what they wanted by releasing the $1,599 Studio Display (which was essentially the iMac’s screen as a separate monitor with a webcam and speakers) and removed the LG from its store.

It wasn’t until late 2024 that companies like BenQ and Asus finally began releasing their own 27-inch 5K monitors. And while the Studio Display was the best built and best looking — its aluminum chassis and stand are solid and sleek — the competitors offered things the Studio Display didn’t, like more adjustable stands, better port variety, and the ability to connect to multiple computers at once. They work with Windows, too. And even though they use the same dated 5K panel as the Studio Display (or a very similar one), they are much cheaper, ranging from $1,100 down to just $550.

The Apple Studio Display on a small wooden desk with a MacBook Air next to it.The Apple Studio Display on a small wooden desk with a MacBook Air next to it.

6

Verge Score

The Good

  • Accurate picture modes
  • Great built-in camera
  • Speakers sound good
  • Seamless Mac integration

The Bad

  • Tilt-only stand (unless you pay $400 more)
  • Only Thunderbolt 5/USB-C ports
  • No multi-computer support
  • Wildly expensive for a 60Hz IPS monitor in 2026

That meant Apple was primed to strike back. This year, Apple finally released a Studio Display with a proper panel upgrade. It has a mini-LED backlight instead of edge lighting, with a quantum-dot-based optical stack for up to 2,000 nits of brightness. It supports up to 120Hz refresh rate, has 14 very accurate reference modes, and includes two modes that use Apple’s newly developed CMF (color matching function) for color consistency across display technologies. I’m referring, of course, to the $3,300 Studio Display XDR.

For the regular Studio Display, Apple just slapped a better webcam and faster ports on the same 12-year-old IPS panel and called it a day. And it’s still $1,600.

Unfortunately for Apple, it’s not 2022 anymore, and the Studio Display now has more competition. I spent a few weeks testing the new Studio Display alongside the BenQ PD2730S ($1,100) and MA270S ($1,000), the Asus ProArt PA27JCV ($700), and the KTC H27P3 ($550), swapping them out regularly. Most of them do at least something better than the Studio Display, if not multiple things, and they are hundreds of dollars cheaper.

To be fair, the new non-XDR Studio Display is better than the 2022 model. It has a much better camera, thankfully, and instead of one Thunderbolt 3 and three USB-C ports it now has two Thunderbolt 5 ports (one upstream and one downstream with support for daisy-chaining) and two USB-C. The speakers are better, and it has an A19 chip instead of the A13 Bionic (which really doesn’t matter for a monitor). But it’s still built around the same ancient edge-lit 60Hz panel with 600 nits of brightness.

Color accuracy has always been one of the strengths of Apple’s monitors. Much like the 2022 Studio Display, the 2026 version is very color accurate — particularly in sRGB mode, which is excellent. The BenQ PD2730S is visibly as accurate as the Studio Display (and comes with a calibration report). The BenQ MA270S and Asus monitor aren’t quite as close in measurements, but they’re both great for all but the most critical color grading.

The Studio Display has issues with its black level looking more gray than black, particularly in a dark room. The BenQ monitors have far deeper blacks than the Studio Display; the Asus ProArt isn’t quite as strong there, but still better than the Studio Display. The standard glass of the Studio Display handles reflections well (better than the “nano gloss” of the BenQ MA270S), but the $300-extra nano-texture finish option is superior for brightly lit rooms. BenQ’s PD2730S has a matte panel that cuts reflections almost as well as Apple’s nano-texture glass upgrade, but also unfortunately lifts black level slightly when compared to the other BenQ.

The build quality on the Studio Display is excellent, with an all-aluminum frame, but the $1,600 base model’s placement options are frustrating. It comes with either a tilt-only stand or VESA mount option that includes no stand (but not both; they’re separate models). If you want a stand that’s both tilt- and height-adjustable, it’s another $400. The stand moves smoothly and stays in position, but it doesn’t rotate or pivot. All stand decisions need to be made at checkout, too, as there’s no way to remove the stand or add a VESA mount yourself.

Apple’s competitors allow for far more flexibility in placement, with removable stands that allow for VESA mounting. The BenQ MA270S and PD2730S and Asus ProArt PA27JCV all have stands that pivot, rotate, are tilt- and height-adjustable, and can even be removed entirely, if you prefer to use a VESA arm or stand. Now, none of the stands are quite as robust or good-looking as Apple’s, as they all include some plastic, but the extra flexibility makes up for it. And the BenQ MA270S has a nice rubber pad on the front to place your phone or earbuds case without worrying about it slipping off.

The BenQ MA270S on a wooden desk next to a MacBook Air.The BenQ MA270S on a wooden desk next to a MacBook Air.

8

Verge Score

The Good

  • Great port selection
  • Accurate color
  • Good black level
  • Highly adjustable stand

The Bad

  • Glossy panel is pretty reflective
  • No webcam
The BenQ PD2730S on a wooden desk with its hotkey puck in front of it while sitting next to a MacBook Air.The BenQ PD2730S on a wooden desk with its hotkey puck in front of it while sitting next to a MacBook Air.

8

Verge Score

The Good

  • Very accurate color
  • Lots of ports
  • Highly adjustable stand
  • Matte panel defuses light well

The Bad

  • Black level is a bit raised
  • Not that bright
  • No webcam

Port selection is improved on this year’s Studio Display, but it’s still optimized for people living in the exact world that Apple wants you to live in. The upgraded Thunderbolt connectivity is nice if you intend to daisy-chain displays, but you can still only connect a single computer at a time. There’s still no HDMI, DisplayPort, USB-A, audio out, KVM, or any controls whatsoever. Everything is done in the settings menu on the connected Mac, and there’s no power button to turn it off. The BenQs, Asus, and even the KTC H27P3 have more connectivity options. While none have Thunderbolt 5, the BenQs both include Thunderbolt 4, and they all have at least one HDMI port. The Asus and BenQ monitors also have a KVM for using a single set of peripherals with multiple computers.

During my time with all the monitors, the BenQ MA270S was the one I always went back to. It’s the one I’m typing this on now. The picture looks great. It fits on my desk better; the Studio Display, even with the height-adjustable stand, doesn’t get low enough for me. I can connect the BenQ to both my M4 Macbook Air and Windows PC at the same time and swap between them quickly, or even use one on each side of the monitor. I can hit the power button to turn it off, and I can still adjust its brightness and color modes from my computers. Plus, it’s only $1,000, which is half the price of the Studio Display with the tilt- and height-adjustable stand.

The BenQ MA270S does have a glossy screen, which isn’t everyone’s favorite. The matte screens on the PS2730S or Asus ProArt are better for people who need more reflection handling. (Of the two, I prefer the BenQ matte, but both perform well). Any of the three is great for professional color work.

The Asus ProArt PA27JCV 5K monitor on a wooden desk next to a MacBook with a notepad and pen in front of it.The Asus ProArt PA27JCV 5K monitor on a wooden desk next to a MacBook with a notepad and pen in front of it.

7

Verge Score

The Good

  • Bright image
  • Accurate colors
  • Matte coating handles reflections well
  • Good port selection

The Bad

  • Blacks look washed out at higher brightness
  • No Thunderbolt
  • No webcam

6

Verge Score

The Good

  • Crisp picture quality
  • Regularly selling for under $600
  • Three ways to connect video sources

The Bad

  • No KVM switch, just a USB hub
  • Not the best-looking design
  • Inaccurate colors
  • High response time
  • No webcam

Just having a 5K panel isn’t enough to compete with the Studio Display. While the $550 KTC H27P3 has a sharp image like the Studio Display (and the other three monitors), its stand is tilt-only and wobbly, and the port selection is more limited than the BenQ and Asus monitors. As the cheapest of the 5K monitors here, it’s fine for daily use, but color inaccuracies make it unsuitable for color work.

Apple missed an opportunity with the Studio Display. It could have made improvements to the backlight, offered a more flexible stand option, or changed the panel for one with a higher refresh rate. But instead all we really got were Thunderbolt 5 ports and a better camera with an old, dated panel. There isn’t enough to justify the $1,600 price when all of its competitors are hundreds of dollars less and most have similar color accuracy and much better ergonomics and features.

All of the competitors I’ve tested so far use panels similar to the 60Hz edge-lit IPS one Apple’s been using since 2014. But now that the Studio Display XDR exists, the competitors have more options too. New monitors — like the LG 27GM950B and Asus ROG Strix XG27JCG — use mini-LED backlighting with high refresh rate panels that have similar specs to the one in the XDR. Plus, they cost $1,200 or less, making the regular Studio Display feel even more out of touch with 2026. We’re also getting close to seeing a 120Hz 27-inch 5K OLED monitor, as both LG Display and Samsung Display have shown off the technology.

While the 2022 Studio Display had its limitations, it was the best option if you wanted a 27-inch 5K monitor. But times have changed. The 2026 Studio Display isn’t the only 5K monitor anymore, and it’s not the best 5K option, either. I couldn’t tell you why Apple is still charging the same price for the same ancient panel as it did four years ago. What I can tell you is that, unless you prioritize Apple’s design above all, you’re better off saving your money with something else.

Photography by John Higgins / The Verge

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May 13, 2026 0 comments
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A plan to make drugs in orbit is going commercial
Tech/AI

A plan to make drugs in orbit is going commercial

by admin May 13, 2026
written by admin
EXECUTIVE SUMMARY

Varda Space Industries, a startup that’s been pitching its ability to perform drug experiments in space, says it has signed up the pharmaceutical company United Therapeutics in what may be remembered as a notable step toward in-orbit manufacturing.

The idea of building things in outer space for use on Earth has so far been explored mostly on board the International Space Station, and only in small-scale experiments backed by governments.

But Varda, based in El Segundo, California, is now telling drug companies it has a practical, and repeatable, way to produce novel molecules in microgravity. 

“This is the first commercial path to products made in space,” says Michael Reilly, Varda’s chief strategy officer.

The scientific idea is that chemical mixtures have different properties under weightless conditions. For instance, water will hang together in a wiggly sphere, since without gravity, surface tension is the strongest force present.

The plan is to launch versions of United Therapeutics’ drugs into orbit, where they can be allowed to form solid crystals. The hope is that in microgravity, they’ll take on atomic arrangements not seen on Earth, possibly leading to new versions with improved stability or other valuable properties.

United is led by CEO Martine Rothblatt, who worked on early  telecommunications satellites. Since then, she’s built a multibillion-dollar health franchise with a succession of drugs to treat a lung disease called pulmonary arterial hypertension, which her daughter suffers from, and a subsidiary developing genetically modified pigs as a source of organs for transplantation.

Rothblatt says space could be the next step if orbital conditions permit United to identify “even more amazing” versions of its drugs.

Space to reformulate

Pharmaceutical companies often try to keep their blockbuster franchises alive by creating improved versions of drugs or reformulating them—for example, making the switch from a pill to an inhaled version, as United has done with some of its products. Doing so can keep imitators at bay and create extra decades of patent protection.

Assisting drugmakers are specialist companies, such as Halozyme and MannKind, that earn profits by helping to reformulate other companies’ drugs, often taking a royalty on future sales.

That’s the business Varda has been trying to break into—by using excursions into space instead of nebulizers, patches, or nanoparticles. The company was formed in 2021 by Delian Asparouhov, a partner at Peter Thiel’s Founders Fund, along with Will Bruey, a former avionics engineer with Elon Musk’s SpaceX who is now the company’s CEO.

The pair’s bet is that space manufacturing will become viable once rocket launches become frequent enough—and cheap enough—to support a business model in which raw materials are sent into orbit, processed, and then returned to Earth in a new form.

And that’s starting to happen. To get into space, Varda has been purchasing rides from SpaceX—which now launches a rocket every two or three days, usually a reusable Falcon 9. 

Those rockets have a nose cone, or payload fairing, about the size of a moving truck that gets filled with satellites or instruments, which are then released into orbit.

Starting in 2023, Varda began sending up small satellites that have a boulder-size capsule attached. The capsule contains equipment to carry out experiments, and it can detach and fall back to Earth, entering the atmosphere at a speed of around Mach 25 before slowing via air resistance and eventually drifting to land with a parachute. (Varda lands its craft in the Australian outback.)

That speedy reentry has also drawn interest from the US military, including the Air Force, which has paid Varda to fly instruments and take measurements relevant to hypersonic missile technology. Of the six craft Varda has paid to put into orbit so far, half have been dedicated to military research and half carried drug-related demonstrations. 

At Varda, such “dual use” of technology is accepted as part of being in the space business, which remains reliant on government support. The company’s founders say Varda may be the only company that employs hypersonic engineers and pharmaceutical chemists under the same roof.

At Varda’s headquarters, drug samples are loaded into a spinning arm that creates extra-high G-forces. While the opposite of microgravity, increased weight can provide clues into whether a drug will act differently under new conditions.
COURTESY VARDA

Launching industries

Actual space manufacturing still remains mostly an aspirational project. In 2021, Jeff Bezos, after his first trip aloft in a rocket, suggested that polluting industries should be moved beyond the atmosphere. “We need to take all heavy industry, all polluting industry, and move it into space. And keep Earth as this beautiful gem of a planet that it is,” he told MSNBC.

Weight is the big obstacle to such dreams. It still costs around $7,000 to launch a single kilogram of payload into orbit, which makes it impractical to, say, send cotton into space to be dyed there, or even to launch the acids and solvents needed to make a semiconductor chip.

But drugs may be among the few exceptions to this economic rule, since pound for pound, they can be as valuable as rare radioactive isotopes and fine-cut diamonds.

For instance, just one kilogram of the weight-loss drug Ozempic is worth more than $100 million at retail. (The reason your Ozempic bill is only $1,000 a month is that minute quantities of the active ingredient are present in the shots.)

That’s why Varda thinks it may eventually be able to manufacture drugs in orbit. However, its effort with United is more of a flying experiment to learn whether the company’s lung medicines will crystallize differently in microgravity.  

The terms of the deal between Varda and United aren’t public, and the companies haven’t said which specific drugs the collaboration will study. But Rothblatt did confirm that United is paying Varda to help it identify new crystal forms of its drugs (also called polymorphs), which it hopes could have improved properties.

“One has to do the experiment to find out if that is so. The first part of the experiment is to see what polymorphs of these molecules can be made without the influence of gravity,” she says. “Then, once we have those polymorphs, we will test them.” 

There is good evidence that crystals form differently in space. For instance, in 2017 the pharmaceutical giant Merck sent samples of its cancer immunotherapy drug Keytruda to the International Space Station, where it was found to form crystals of  a single size. On Earth, the drug tended to form two different sizes at once.

That experiment offered clues for how to formulate the drug as a shot instead of administering it intravenously. Still, when Merck introduced a Keytruda injection last year, it ended up using a different approach. That means there’s still no straight-line connection between orbital discoveries and any drug here on Earth.  Actual space factories are another step further from reality. 

“We’ve been learning from space for years, but I can’t name anything manufactured in space, brought down to Earth, and sold,” says Reilly. “So that is a first—or it will be a first.”

Reilly says that Varda anticipates launching United Therapeutics’ drugs into orbit sometime early next year. 

May 13, 2026 0 comments
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Economy

Jamie Dimon warns JP Morgan may rethink new London office if ‘very smart’ Starmer is ousted as UK PM

by admin May 13, 2026
written by admin

JPMorgan CEO Jamie Dimon attends an interview with Reuters in Detroit, Michigan, U.S., Nov. 5, 2025.
Emily Elconin | Reuters

JP Morgan may reconsider a planned multibillion-dollar office tower in London if U.K. Prime Minister Keir Starmer is ousted, the bank’s CEO Jamie Dimon said on Wednesday.

Speaking to Bloomberg in Paris, the head of America’s biggest bank said that while a change in leadership would not change JP Morgan’s fundamental strategy, it could force the lender to rethink its future in the U.K. capital.

JP Morgan announced late last year that it would build a new three-million square foot tower in London’s Canary Wharf financial district to house up to 12,000 employees and serve as its U.K. headquarters. Construction is expected to take six years, during which time JP Morgan will also renovate its existing building on London’s Bank Street.

JPMorgan headquarters in London’s Canary Wharf financial district, 6th Feb., 2024.
Mike Kemp | In Pictures | Getty Images

At the time of the announcement, JP Morgan said its plans for the new building were “subject to a continuing positive business environment in the U.K. and the receipt of the necessary approvals and agreements at a national and local level.”

Asked on Tuesday if the political instability gripping Britain changed his view on the mega project in London, Dimon responded that if a new government was “hostile to the banks, then yes.”

Dimon criticized the tax burden that the bank already faces in the U.K., telling Bloomberg JP Morgan had already paid $10 billion in “additional taxes” related to the construction project.

JP Morgan currently employs more than 20,000 people in the U.K., 13,000 of whom are based in London. The bank said in November that its construction and office upgrade projects would contribute an estimated £9.9 billion ($13.4 billion) to the U.K. economy and create more than 7,800 jobs in the coming six years. Its existing operations in London are estimated to contribute £7.5 billion a year to the local economy.

Starmer’s leadership is hanging in the balance, after his party’s poor performance in the U.K.’s local elections last week led to widespread demands from lawmakers for his resignation. As of Tuesday morning, 90 members of parliament from the governing Labour Party have called on the prime minister to step down, while more than 100 signed a statement backing Starmer to stay put.

Prime Minister Keir Starmer gives a speech on May 11, 2026, in London, England in a bid to secure his premiership.
Carl Court | Getty Images

A backlash against Starmer’s Labour Party saw huge gains for the right-wing Reform UK and the left-wing Green Party in last week’s poll.

But bond vigilantes have largely been supportive of Starmer and his finance minister Rachel Reeves retaining their positions relative to potential alternatives, with U.K. bonds — known as gilts — selling off in previous bouts of uncertainty over their political futures.

On Tuesday, gilts sold off across the curve amid the political turmoil. By Wednesday morning, they were rallying as investors reacted to Starmer’s defiance of calls for his resignation.

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U.K. 10-year gilt

For his part, Dimon threw his support behind Starmer and Reeves in Tuesday’s interview.

“I think Keir Starmer’s a very smart guy,” he told Bloomberg. “Politics is very tough. They’re in a bind because of debts and deficits, they inherited a lot of that, I think the world of Rachel Reeves, and they’ve got to be tough. They’ve got to say ‘we’re going to do these things [that] in the short term may not be great,’ but governments have to get the stuff done right that grows the economy.”

He also praised Starmer’s approach to repairing the U.K.’s strained post-Brexit relations with the European Union.

“I think they need to work closer with Europe. If you remember, Keir Starmer and [French President Emmanuel] Macron, they were going to work closer,” he said. “Not reversing Brexit, but military alliances, intelligence alliances, making sure the economies have economic relationships that are good for both the continent and good for the U.K.”

Starmer is set to meet Streeting on Wednesday morning, ahead of a speech from King Charles in parliament outlining the government’s agenda. During a routine cabinet meeting on Tuesday, the prime minister said he would see his five-year mandate through.

Without Starmer’s resignation, a Labour leadership challenge — which would determine Starmer’s fate as leader of the governing party — can only be triggered if 20% of Labour MPs back a challenger. Currently, that means 81 Labour MPs would need to back a potential replacement.

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May 13, 2026 0 comments
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A decade on, Trump returns to a stronger and more assertive China
Global

A decade on, Trump returns to a stronger and more assertive China

by admin May 12, 2026
written by admin

This week’s reception promises to be just as grand, including a stop inside Zhongnanhai, the rarefied compound where China’s top leadership lives and works. The agenda too will be just as thorny, with Iran being a new source of tension, alongside trade, technology and Taiwan.

May 12, 2026 0 comments
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